Art/Style/Travel Diaries

No two fires burn the same

Why every performance of 'El Fuego del Alma' is a different experience

Sandino Martin as Juanito & Opaline Santos as Alma (Matinee)

What if seeing a play once meant you had only seen one version of it?

That is the invitation of El Fuego del Alma, Porvenir’s Filipino adaptation of Tennessee Williams’ Summer and Smoke.

While every theatrical performance is unique by nature, El Fuego del Alma takes that idea further. Every show is intentionally different, shaped by changing environments, shifting seasons, and rotating lead performers. No two audiences experience exactly the same production.

Rather than presenting a fixed version of the play, the creative team embraces change as part of the storytelling itself.

Sandino Martin as Juanito and Hariette Mozelle as Alma (All photos by Irvin Arenas courtesy of Porvenir)

One of the production’s defining features is its dual staging.

Some performances take place in daylight. Natural light pours through the glass walls of Sine Pop, revealing every gesture, every silence, and every moment of vulnerability. The space feels exposed, immediate, almost documentary in its intimacy.

Other performances unfold after sunset. The venue transforms into an entirely different world. Warm practical lighting, deep shadows, and the surrounding darkness create a more contemplative atmosphere. Familiar scenes suddenly carry new emotional weight.

Nothing in the script changes. Yet audiences often leave describing two remarkably different experiences.

The same story reveals different truths depending on whether it is seen beneath the afternoon sun or under the glow of evening lights.

Vincent Pajara as Juanito and Janna Cortes as Nelia (evening)

The production also exists in two seasonal worlds.

Some performances are set during the Dry Season. Others unfold in the Wet Season.

Rather than treating the seasons as simple design elements, El Fuego del Alma allows the Philippine climate to shape the emotional rhythm of the play.

The Dry Season carries the stillness and tension of oppressive heat. Feelings remain restrained, simmering just beneath the surface.

The Wet Season introduces rain, uncertainty, and melancholy. Longing feels quieter. Reflection lingers longer. Familiar scenes take on new emotional textures.

The changing seasons become another storyteller, reminding audiences that people are shaped not only by their choices, but also by the worlds they inhabit.

Vincent Pajara as Juanito and Hariette Mozelle as Alma (evening)

The production also challenges the idea of fixed casting.

The actors portraying Juanito also perform Archie. The actresses portraying Alma also portray Rosa. Rather than remaining in one role throughout the run, the performers move between opposing characters.

An audience may first watch an actor embody Juanito’s confidence and charm, then return another weekend to see the same performer inhabit Archie’s quieter perspective.

Likewise, an actress who carries Alma’s restraint in one performance may appear as Rosa, revealing an entirely different way of navigating love, desire, and freedom.

Each combination creates new chemistry, new relationships, and new emotional discoveries. No pairing is simply a replacement for another. Each becomes its own interpretation of the story.

Sandino Martin as Juanito and Opaline Santos as Alma (matinee)

At its heart, El Fuego del Alma celebrates what makes live theatre impossible to replicate.

The time of day changes. The season changes. The cast changes. The chemistry changes. The audience changes.

Each performance exists only once. It belongs only to the people who were there to witness it.

For audiences, that means there is no definitive version of El Fuego del Alma. There is only the version they experienced. And perhaps another waiting to be discovered.

Hariette Mozelle as Alma (evening)

Sandino Martin as Juanito and Madeleine Nicolas as Mrs. Ortega (matinee)

With every performance offering a different combination of time, season, and cast, no two visits to El Fuego del Alma are ever the same.

Remaining performances are on August 21 at 7 pm, August 22 at 4 pm and 7 pm, and August 23 at 4 pm and 7 pm.All performances take place at Sine Pop, Cubao, Quezon City. Tickets are available through Ticket2Me:
https://ticket2me.net/event/23012


Newsletter
Sign up for our Newsletter

Sign up for Diarist.ph’s Weekly Digest and get the best of Diarist.ph, tailored for you.

Leave a Reply

Your email address will not be published. Required fields are marked *