Art/Style/Travel Diaries

It’s my honor to design this heritage barong for ASEAN

I was inspired by our seas and the 'balangay' of Butuan dating back to 10th century

Dignitaries at the ASEAN ministers meeting last March 3-5: From left, Malaysian Deputy Minister of Tourism, Arts and Culture Chiew Choon Man, Myanmar Deputy Minister Nu Mra Zan, Thailand Secretary to the Minister of Social Development and Security Thanakrit Jitareerat, Timor Leste Vice Prime Minister Mariano Assanami Sabino Lopes, Vietnam Deputy Minister of Home Affairs Cao Huy, Philippine Social Welfare Secretary Rex Gatchalian, Singapore Minister for Social and Family Development Masagos Zulkifli, Brunei Minister of Culture, Youth and Sports Dato Seri Setia Awang Haji Nazmi Bin Haji Mohammad, Cambodia Secretary of State, Ministry of Education Oung Borat, Indonesia Deputy for the Coordination of Family Quality Improvement Woro Srihastuti Sulistyningrum, Lao Deputy Minister, Ministry of Information, Culture and Tourism Darany Phommavongsa, Secretary General for ASCC San Lwin

I feel very privileged that Silk Cocoon became part of another historical event—the 2026 ASEAN Summit. The Philippines hosted this significant gathering, with the theme “Navigating Our Future Together.”

‘Barong’ worn by Social Welfare and Development Secretary Rex Gatchalian is based on Silk Cocoon’s ‘bib design,’ which Goulbourn made with embroidered leaves and bamboo buttons. She used the same bib design on the ASEAN boat logo and 11 stalks in a medallion, representing the 11 member states.

In the 35th ASEAN Socio-Cultural Community Council meetings March 3-5, 2026, chaired by Social Welfare and Development Secretary Rex Gatchalian, our biggest joy was hearing the positive feedback from the team, how the ministers and senior officials were very happy with their barong and the ladies’ kimona, with inspired new sleeves that created a buzz among the lady ministers.

Thirty years ago, when we opened Silk Cocoon at New World Hotel, then barely six months old, we got the chance to dress up the heads of state hosted by then President Fidel V. Ramos for the APEC Summit in 1996. My designs for our handwoven silk barong with hand embroidery were called “The Windows to the World.” It was about the world looking in on us as we glimpsed all the possibilities of our islands. In line with that theme, I researched on the architecture of old homes, from north to south.

This time, the message figuratively relates to navigating the seas and our relationships in the region. This year’s logo was inspired by the balangay from Butuan, dating back to the 10th century.

Considering our country’s rich maritime heritage, the photo of the balangay was so exciting for me to work with for my embroidery designs.

For the hand embroidery, I tried to capture three different angles of the balangay. Then I decided to create the wave’s graceful movement—creating depth is important in embroidery—bringing it to life. 

I have always been fascinated by the sun in our Philippine flag, so I thought, why not place it on the shoulder, and I decided to continue the moving, graceful waves diagonally to the back of the barong.

Secretary Gatchalian and designer Jean Goulbourn

I feel like I am part of history, and the timelessness of the Silk Cocoon barong makes me proud that the foreign  dignitaries went back home with a souvenir of our cultural heritage.

Through the decades,  I have been given the gift to mentor countless numbers of embroiderers,  and I chat and share with them to continue the tradition by passing it down to their grandchildren. My team of sewers, embroiderers and weavers cried with joy seeing the photos of their work on the ASEAN stage. I tell them, “This is your work, each thread you weave, each stitch you sew and thread you pull to create the boats, the waves.”

Each of us help in continuing the conversation of “We love our country,” and we share love with our neighboring Asian countries. We shall support each other and respect each other.

I explain to them the significance of the ASEAN conference, that I chose to come back from New York and be here in the Philippines when I began my RTW line 50 years ago, and to give my very best to our country.

Though I’m involved in running the first foundation NGF/ Hopeline to help prevent the rising incidence of suicide in the country, and I am the national representative to  IASP (International Association for Suicide Prevention), my heart continues to beat as an artist, and doing these barongs gave me a very nostalgic feeling going back to 30 years ago, in 1996, when I had the honor of dressing  APEC Heads of State under President Fidel V. Ramos, as well as other historical events thereafter.

These memories let me look back to 50 years as a designer and 30 years of weaving silk.  I wish to do so much more because this digital age is a great challenge for the world. Going back to basics, to tradition and our culture, is most precious; the preservation of our fashion heirloom is in our hands.

I hope each ASEAN minister carries home with him or her a lasting symbol of the Philippine cultural heritage, craftsmanship, and pride, one that reflects the enduring spirit of unity and a shared future among ASEAN member states.

About author

Articles

The author is a pioneer in Philippine fashion design and ready to wear. For decades, her JM Goulbourn line in retail became the veritable clothing line of the country's growing corporate women executives. Then she diversified to creating the silk cocoon fabric and established the barong brand for top Filipino executives.

    Newsletter
    Sign up for our Newsletter

    Sign up for Diarist.ph’s Weekly Digest and get the best of Diarist.ph, tailored for you.

    Leave a Reply

    Your email address will not be published. Required fields are marked *